{"id":11,"date":"1999-05-03T21:12:40","date_gmt":"1999-05-03T21:12:40","guid":{"rendered":"http:\/\/movieassault.com\/?p=11"},"modified":"2020-10-28T15:19:15","modified_gmt":"2020-10-28T19:19:15","slug":"54-1998-review","status":"publish","type":"post","link":"https:\/\/movieassault.com\/index.php\/1999\/05\/03\/54-1998-review\/","title":{"rendered":"54 (1998)"},"content":{"rendered":"<p>Even if I didn\u2019t know better, I\u2019d have finished watching <strong><em>54<\/em><\/strong> and wondered, \u201cWhat happened to the rest of the movie?\u201d Alas, I do know that <strong><em>54<\/em><\/strong>\u2018s director, Matt Christopher, wanted to make a different picture than the one we can now rent at the local Blockbuster. It shows.<\/p>\n<p>The so-called \u201cWalt Disney\u201d version of the film is missing a few key elements from the original film, including a love triangle that would have made the film a heck of a lot more interesting. Instead of a racy look at one of America\u2019s decadent nightspots, the movie is a rather bland and average drama that takes place in a sanitized version of Studio 54.<\/p>\n<p>Shane O\u2019Shea (Ryan Phillipe) dreams of hanging out with the stars at Studio 54 instead of bumming around with his friends at New Jersey bars. So, he gets his friends to drive over to New York City to attempt to get in to the notoriously hard-to-get-into disco. Shane is spotted by Studio 54 owner Steve Rubell (Mike Myers), who lets him (but not his friends) into the disco.<\/p>\n<p>Shane eventually gets a job at Studio 54 and strikes up a friendship with Greg (Breckin Meyer) and Anita (Salma Hayek), both of whom work at the bar as a busboy and a coat room clerk respectively. Greg shows Shane the ropes as a busboy, and explains the rules of working in as strange an atmosphere as the disco party capital of the world.<\/p>\n<p>The rest of the plot deals with Shane trying to pit his naivete against the \u201cshocking\u201d world of Studio 54, succeeding in making a name for himself amongst the odd clientele of the club. Frankly, I don\u2019t think that the story of the fictional Shane is anywhere near as interesting as a bio-pic on Steve Rubell could have been. If a filmmaker prefers to focus on a fictional character, they should at least make him or her interesting enough to carry an audience\u2019s interest throughout the running time of the film. Shane O\u2019Shea is no Dirk Diggler.<\/p>\n<p>Mike Myers does an adequate job of portraying Steve Rubell as a complicated and somewhat fragile character. His performance isn\u2019t quite as \u201cOscar-worthy\u201d as some reviewers have supposedly coined it, but it\u2019s not bad. It\u2019s nowhere near as yawn-inducing as Ryan Phillipe\u2019s Shane or as under-utilized as Salma Hayek\u2019s Anita either.<\/p>\n<p>It\u2019s a shame that this story couldn\u2019t have been told as it was intended, because I believe there was a killer movie here originally. It\u2019s a sure sign that too many cooks spoil the broth when there are almost as many producers\u2019 names in the credits as there are cast members\u2019.<\/p>\n<p><span class=\"fsrs\"><span class=\"fsrs-stars\"><i class=\"fsrs-fas fa-fw fa-star \"><\/i><i class=\"fsrs-fas fa-fw fa-star \"><\/i><i class=\"fsrs-far fa-fw fa-star \"><\/i><i class=\"fsrs-far fa-fw fa-star \"><\/i><i class=\"fsrs-far fa-fw fa-star \"><\/i><\/span><span class=\"hide fsrs-text fsrs-text__hidden\" aria-hidden=\"false\">2.0 out of 5.0 stars<\/span><span class=\"lining fsrs-text fsrs-text__visible\" aria-hidden=\"true\">2.0<\/span><\/span><br \/>\n<a href=\"https:\/\/amzn.to\/2RBBqXj\" target=\"_blank\" rel=\"noopener noreferrer\">Buy on Amazon!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Even if I didn\u2019t know better, I\u2019d have finished watching 54 and wondered, \u201cWhat happened to the rest of the movie?\u201d Alas, I do know that 54\u2018s director, Matt Christopher, wanted to make a different picture than the one we can now rent at the local Blockbuster. It shows. The<span class=\"more-link\"><a href=\"https:\/\/movieassault.com\/index.php\/1999\/05\/03\/54-1998-review\/\">Continue Reading<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":5490,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3,2],"tags":[],"class_list":["entry","author-sean","post-11","post","type-post","status-publish","format-standard","has-post-thumbnail","category-drama","category-moviereview"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>54 (1998) - MovieAssault<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/movieassault.com\/index.php\/1999\/05\/03\/54-1998-review\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"54 (1998) - MovieAssault\" \/>\n<meta property=\"og:description\" content=\"Even if I didn\u2019t know better, I\u2019d have finished watching 54 and wondered, \u201cWhat happened to the rest of the movie?\u201d Alas, I do know that 54\u2018s director, Matt Christopher, wanted to make a different picture than the one we can now rent at the local Blockbuster. 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