{"id":890,"date":"2004-04-26T13:06:35","date_gmt":"2004-04-26T17:06:35","guid":{"rendered":"http:\/\/movieassault.com\/?p=890"},"modified":"2021-08-05T00:17:01","modified_gmt":"2021-08-05T04:17:01","slug":"kill-bill-vol-2-2004","status":"publish","type":"post","link":"https:\/\/movieassault.com\/index.php\/2004\/04\/26\/kill-bill-vol-2-2004\/","title":{"rendered":"Kill Bill: Vol. 2 (2004)"},"content":{"rendered":"

Delayed from its original February release date,\u00a0Kill Bill: Vol. 2<\/em><\/strong>\u00a0continues the story from (surprise!)\u00a0Kill Bill: Vol. 1<\/em><\/strong><\/a>, which was released last November. That story, of course, concerns the unnamed bride (Uma Thurman) who was left for dead at the hands of Bill (David Carradine) and a team of assassins following a wedding day massacre.<\/p>\n

After being in a coma for four years, she awakened with a mean streak and began hunting down her assailants. In the first film, she basically plowed through the first few in a seemingly non-stop action barrage. In\u00a0Vol. 2<\/em><\/strong>, the action slows down, providing a little back-story and allowing for more of the dialogue that writer\/director Quentin Tarantino is known for delivering so well.<\/p>\n

As with the first film, Tarantino loves to show his appreciation for the work of the grindhouse Shaw Brothers studios as well as spaghetti westerns. A training montage in the middle of the film is a perfect summation of Tarantino’s fondness for the campy and savage as The Bride visits the Shaolin Pai Mei (Gordon Liu) in a flashback.<\/p>\n

Kill Bill: Vol. 2<\/em><\/strong>\u00a0is a superior film to the first in that it allows the characters time to breathe after the rather tension-filled first chapter. The spaces between the action sequences allow the characters to verbalize their feelings and makes the action quite a bit more meaningful. We learn a lot more about The Bride and Bill and begin to respect them as much more than life-size action figures.\u00a0Vol. 2<\/em><\/strong>\u00a0excels in making the viewer uncomfortable (as the first film did for almost the entire running time) but it does so in small doses, albeit strong ones.<\/p>\n

David Carradine delivers a charismatic turn as Bill. He is almost hypnotic in his scenes with Uma Thurman. There is a definite chemistry between the character of The Bride and Bill that really makes their scenes together the best non-action scenes of either installment. Bill’s rant about Clark Kent and a story about a goldfish are definite highlights.<\/p>\n

Thurman, of course, is the dynamo that propels this film and the first. She can go from looking incredibly sexy to incredibly pissed-off in a rapid fashion and remain believable. She also benefits from this film’s slower pace which gives The Bride plenty of time to emote.<\/p>\n

As with any Tarantino film, there is an obvious love of the craft of film-making that results in a wonderfully intense experience for the viewer. Whether you decide to revel in the action sequences which often go in unexpected directions or try to play “spot-the-influence”,\u00a0Kill Bill: Vol. 2<\/strong><\/em>\u00a0is certainly an entertaining and rewarding film. When combined with the first volume, it is the best action film I’ve seen in years.<\/p>\n

<\/i><\/i><\/i><\/i><\/i><\/span>4.5 out of 5.0 stars<\/span>4.5<\/span><\/span>
\nBuy on Amazon!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Delayed from its original February release date,\u00a0Kill Bill: Vol. 2\u00a0continues the story from (surprise!)\u00a0Kill Bill: Vol. 1, which was released last November. 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